Paint Shop Pro is usually regarded as the poor cousin (or poor rip off) of applications like Corel or Illustrator. But I have been using it since its first release (admittedly at hat time because it was easier to learn than Adobe and a bit more creative than MS Paint.) Still,I had discovered that even MS paint can be extraordinarily flexible (mainly through the experimentation of my son Chris) and so found PSP to have many unexplored possibilities. Since then, PSP has grown exponentially into a very good creative application.It is still the one I use most, even though I have now learned to use the others, probably out of habit and the fact that most of my WIP files are PSP images.
I don't claim to be a digital artist - I dabble still. But I am developing a style that seems to very much my own, even if it cannot compare to the eye watering images others can produce.
Digital painting, for me,is always the concept of working with a canvas, colours and brushes, much like real painting. But there is an almost unlimited palette and tools for moving colours and creating effects that a paintbrush and canvas doesn't offer.
Take Ophelia (you'll find this image on my photo page). This is a painting that could have been done in the traditional way, with oils or acrylics. I chose to do it as a digital painting, because I wanted to see what PSP could do. It's quite an early work, about four or five years old. At first, I drew the outline of the image in MS Paint. That was my preferred technique at the time, because I had found MS paint to be quite an effective drawing tool.
I had a vague idea of Ophelia flowing in the water, surrounded by flowers. I wanted just her face, for more impact, and in MS Paint I was able to sketch out what I wanted. The I called it up in PSP to `tweak' it.
I was just learning to use he Smudge Tool then,and it became my best friend for this image. I found if I made the Smudge Tool large, I could get a rippling water effect that worked well on the floating strands of hair as well. I also used it to 'fade out' the flowers, which looked harsh and unnatural when I painted them in. I left just one whole,a buttercup, because it looked like it was caught in her hair.
The translucency is due to layers - layers are wonderful, you can pile them upon top of each other, select and area and fill or fill the whole thing then fade it back to the merest wash of colour - I discovered most of the techniques I use by simply experimenting with layers.
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